Editing
The Daring Dreams of the First Afghan Drag Queen in Narratively
The First Family of Human Cannonballing in Narratively
The Deep South’s Dames of Dildos in Narratively
To the Transznemű Ember I Needed to See (on Notable List for the 2022 Best American Essays) in Off Assignment
The Police Shooting of Mark Duggan (copy edit) in Cabinet
Melcher’s Ghosts: The Maladies of Postwar Germany (copy edit) in Cabinet
Street Views: Urban Photography and the Politics of Erasure (copy edit) in Cabinet
Malayalee Women in Cinema: Boundaries of Constraint and Disruption in Compass Research Journal
The First Family of Human Cannonballing in Narratively
The Deep South’s Dames of Dildos in Narratively
To the Transznemű Ember I Needed to See (on Notable List for the 2022 Best American Essays) in Off Assignment
The Police Shooting of Mark Duggan (copy edit) in Cabinet
Melcher’s Ghosts: The Maladies of Postwar Germany (copy edit) in Cabinet
Street Views: Urban Photography and the Politics of Erasure (copy edit) in Cabinet
Malayalee Women in Cinema: Boundaries of Constraint and Disruption in Compass Research Journal
Public Events
Post-screening discussion of 1929 film The Girl on the Cross (Mädchen am Kreuz) with Dr. Nikolas Wostry, Deputy Director of the Filmarchiv Austria, at Metrograph, November 8th, 2025.
Presented “Blood, Body, Heat: The Infrared Aesthetic and the Post-Optic Regime,” at Columbia University’s Film and Media Studies Thesis Conference, Feb 6-7, 2026.
Presented “Blood, Body, Heat: The Infrared Aesthetic and the Post-Optic Regime,” at Columbia University’s Film and Media Studies Thesis Conference, Feb 6-7, 2026.